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Abstract�� Merleau-Ponty’s Eye and Mind focuses on painting, but underlying the discussion in the book is the relationship between man and existence, as visuality is the sinew for the relationship. This paper proceeds from the discussion in Eye and Mind and investigates the basic characteristics of visuality before continues to analyze the reversible relationship between man and objects which the paper defines as the relationship between the visible and the invisible. The paper maintains that it is possible to approach existence by way of painting.

Key words�� Merleau-Ponty painting visuality visibility existence

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��߼��: ��Ң��ѧ��ʿ,ͬ�ô�ѧ��ѧϵ��ڣ��Ҫ��·��ѧ��ѧ�ȷ��о��䣺zhang-yaojun@163.com

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��Ң��. �ɼ��֮�� ——÷��-�ӵ١��ġ��й��ڻ滭��ѧ˼��[J]. ��о�, 2013, 33(6): 171-177.

ZHANG Yao-Jun. The Enigma of Visibility: Merleau-Ponty’s Philosophical Reflection on Painting in Eye and Mind[J]. TSLA, 2013, 33(6): 171-177.

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