[an error occurred while processing this directive]
思想政治课研究
 首页  |  期刊介绍  |  编 委 会  |  期刊订阅  |  投稿指南  |  广告服务  |  联系我们 | English
���������о�  2013, Vol. 33 Issue (3): 27-    DOI:
������������ѧ�о� ����Ŀ¼ | ����Ŀ¼ | ������� | �߼�����  |   
���������ֱ������——�ڸ����ѧ������ѧ����
�պ��
�㽭��ѧ����ϵ
Beauty as the Intuitive Presentation of Idea: a Phenomenological Interpretation of Hegel’s Aesthetics
Su Hongbin
Department of Chinese, Zhejiang University
 ȫ��: PDF (0 KB)   HTML (1 KB)   ���: BibTeX | EndNote (RIS)      ��������
ժҪ �ڸ������ѧ�����������������ۣ������������������������������͹ۺ�����ʷ�ۡ������������͹�Υ���������߼�ԭ����������ʷ���ֲ���������ʷ����ʷʵ�������������ѧ����վ��ס�ŵġ���һ���棬�ڸ���ھ�����ѧ�������һ������ֱ�۵�˼�룬������ʶ�����ܹ�����һ���ձ����������Ϊ�������ձ����ʵ���Ͼ��Ǵ���ֱ��״̬���������ζ��������Խ�����ֱ��ֱ�����ֳ������ɴ˳������Ϳ��԰Ѻڸ���������дΪ“���������ֱ������”������������ֱ�ۻ�ļ������֣���˳��˰�������ĸ�����ʽ���ڸ������ѧȡ�������Ĺ۵���Ȼ��վ��ס���ˡ�
����
�ѱ����Ƽ�������
�����ҵ����
�������ù�����
E-mail Alert
RSS
�����������
�պ��
�ؼ����� ����   ����ֱ��   �����ս���     
Abstract�� Hegel’s aesthetic view derives from his view of arts, which grows out of his views of art typology and art history. However, his views of art typology contradict his logic principle, and his views of art history contradict the historical practice of art history, and Hegel’s aesthetic view is therefore seriously undermined. On the other hand, Hegel’s idea of intellectual intuition proposed in philosophy of mind may serve as a cognitive ability and produce a general representation. This representation, we believe, is actually idea in its intuitive state, which means that idea can be directly presented by way of intuition. In this light, Hegel’s proposition can be rephrased as “Beauty is the intuitive presentation of idea.” Given that art is the embodiment of intuitive activity, art becomes the fundamental way to grasp the truth. It follows naturally that Hegel’s effort to replace art with philosophy cannot hold ground.
Key words�� idea   intellectual intuition   end-of-art   
��������:

�������ܵ����ҽ�ί��������ѧ�����������˲������ƻ�����������Ϊ“����ֱ������������”�����о������ڳɹ�����Ŀ��׼��[NCET-10-0738]��

���߼��: �պ��1966�������У�ɽ���˳��ˣ��㽭��ѧ����ϵ���ڣ���ʿ����ʦ����Ҫ������ѧ������ѧ���������о���������ѧ��ѧ������һ��ר�����������䣺suhbin2005@yahoo.com.cn
���ñ���:   
�պ��. ���������ֱ������——�ڸ����ѧ������ѧ����[J]. ���������о�, 2013, 33(3): 27-.
SU Hong-Bin. Beauty as the Intuitive Presentation of Idea: a Phenomenological Interpretation of Hegel’s Aesthetics[J]. TSLA, 2013, 33(3): 27-.
��
[1] Danto, A. The End of Art. Trans. Ouyang Ying. Nanjing: Jiangsu People’s Publishing house, 2001.] Trans. Ouyang Ying. Nanjing: Jiangsu People target="_blank">
[2] Hegel, G. Phenomenology of Mind. Vol. 1. Trans. He Lin and Wang Jiuxing. Beijing: Commercial Press, 1996.]
[3] Hegel, G. Philosophy of Mind. Trans. Yang Zutao. Beijing: People’s Press, 2006.] Trans. Yang Zutao. Beijing: People target="_blank">
[4] Hegel, G. Aesthetics. Vol. 1. Trans. Zhu Guangqian. Beijing: Commercial Press, 1991.]
[5] Hegel, G. Shorter Logic. Trans. He Lin. Beijing: Commercial Press, 1980.]
[6] Husserl, E. Logic Research. Vol.2. pt.2. Trans. Ni Liangkang. Shanghai: Shanghai Translation Publishing House, 1999.]
[7] Kant, I. Critique of Pure Reason. Trans. Deng Xiaomang. Beijing: People's Press, 2004.]
[8] Ni, Liangkang. The Different Fates of "Intellectual Intuition" in the Eastern and the Western Thoughts. Social Science Front 1 (2002)��42-49��2 (2002): 46-54.]
[9] �����գ�“������ѧ·���ߵ���”���ڸ����������ѧ�����������롣��������������磬2006�ꡣ
[10] Yang, Zutao. “Translator’s Preface.” Philosophy of Mind. By G. Hegel. Trans. Yang Zutao. Beijing: People’s Press, 2006.]
û���ҵ������������
 

版权所有 © 2011《思想政治课研究》编辑部 
本系统由北京玛格泰克科技发展有限公司设计开发 技术支持:support@magtech.com.cn